GUD Reading
Fiction, information, poetry, art. The best of the best. We can print the quality that we do because our business model is built for artists and consumers, not for ourselves. We want to grow a business, but we want to grow the complete circuit of the business, the great circle of life, not just ourselves. And GUD is flexible—if you know you just have to read one particular piece, you can do a partial content order, buying the relevant pages of the magazine.
We are currently accepting submissions for Issue 5.
Issue 3 :: Autumn 2008
Issue 3 is crammed full of stories and art, with poems, Flash fiction and an entertaining report to leaven the mix. Whether we're battling a mechanical daemon in "A Song, a Prayer, an Empty Space" or experiencing jealousy towards unusual rivals in "Soon You Will Be Gone and Possibly Eaten", we're following the theme of Mechanical Flight into strange and unexpected places.
Flight, the dream of humanity for years without number, has come a long way since the Wright brothers flew almost the length of a Boeing 747 using a lawnmower engine. The US Space Shuttle takes off like a rocket and lands like a plane. An ice runway has been built in Antarctica to facilitate flights from Hobart. Solar-powered aircraft grace our skies. And GUD Issue Three seeks to fly to even stranger places--why not take your seat, buckle yourself in, and enjoy the ride?
Issue 2 :: Spring 2008
Issue 2 celebrates Heaven, Earth, and Space in-between; it is touched by religion, grounded in technology and comfortable with the occult.
Including a language-stretching piece triggered by the Talmud from the legendary Hugh Fox, poems by haiku heavy-hitter Jim Kacian, the surprisingly touching “By Zombies; Eaten” from Christopher William Buecheler, and an alien perspective on human spirituality by Tina Connolly in the remarkable “The Salivary Reflex”
— all part of a drool-worthy two-hundred page selection of over twenty authors and artists.
Issue 1 :: Autumn 2007
Issue 1 comes to life with Darby Larson's "Electroencephalography" where an experiment in robot-building goes terribly awry. And if you've ever woken up with an unexpected physical deformity—say, an arrow in your heart—you'll truly enjoy the next story.
There's also a smattering of flash fiction and psychedelia; a straight-out story where things aren't what they seem, poetry that takes you from the perverse to the sublime, some magic realism, science fiction, and a few letters to another species thrown in for good measure. We haven't forgotten those of you with a literary bent.
In addition, the artwork in this issue is particularly strong, with oil paintings, watercolors, photography, and photo illustrations complementing the words with which they are paired.
Issue 0 :: Spring 2007
Issue 0 leads with Debbie Moorhouse’s Sundown, a near-future science fiction reflection on death and life. It follows through with a solid variety of works from semi-gritty fantasy; far-future time travel; modern sci-fi humor; historical paranormal; mainstream literary; a fable; poetry that doesn’t rhyme but has a rhythm (involving coffee, mayhem, love, death, and television); reports concerning poetry and software and narrating a journey to a poetry conference in Taiwan; and art of all sorts, from humorous and surreal line drawings through haunting brush work and even a single-panel comic from a celebrated illustrator.
GUD nominates authors and artists in the 2008 Preditors & Editors Readers' Poll over at Critters.
"Sparks and Shadows" is a collection of poems, short stories, and essays by GUD contributor Lucy Snyder ('Sublety', Issue 2). Snyder has a unique voice and her work is almost instantly recognisable. Dive into this collection and you begin to feel like you're swimming around inside her head. It's not necessarily comfortable in there, but it's certainly interesting.