Poetry Code

by Robert Peake

Issue 0 :: Spring 2007 (reports)

Many comparisons have been made over time of software source code to poetry. The Perl Haiku Contest, for example, promotes writing very compact yet expressive poems using a very compact yet expressive programming language. There is even the phrase “code poet,” which means an exceptional programmer. However, little has been said of the ways in which poetry, written in a human language, might be similar to software source code, which is designed to be interpreted by machines. That is, no one talks about “poetry code.”

When I proposed the idea that poetry might be similar to source code on my website, I encountered a kind of knee-jerk indignation.iii This pleases me because it indicates a certain reverence for the mysterious and intangible qualities of poetry, a kind of sticking up for the art. However, I think this reverence is often extended to encompass the perceived subjectivity of poetry in a somewhat misguided way. That is, people tend to assume on instinct that poetry and code are so necessarily different that it is somehow an insult to poetry to compare it to software. I suggest that a good deal can be achieved by questioning this assumption and exploring the similarities further.

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"Poetry Code" is roughly 1425 words.

Working alongside Kaolin Fire (then Stockinger), Robert Peake used to teach programming languages to other undergraduates at UC Berkeley before earning his degree in English literature, emphasis poetry. These days he serves as the Chief Technology Officer for The David Allen Company, where he reads, writes, and thinks about many things in many languages. Robert is also currently studying poetry in the MFA in Writing program at Pacific University in Oregon. He lives in Ojai, California with his wife Valerie and cat Miranda.

Table of contents

stories poetry reports art comics

Sundown
by Debbie Moorhouse

Painsharing
by John Walters

A Yellow Sun with a Purple Crayon
by Michelle Garren Flye

A Problem With The Law
by Neil Davies

Songs Of The Dead
by Sarah Singleton and Chris Butler

One in Ten Thousand
by Athena Workman

4 Short Parables Revolving Around the Theme of Travel
by A.B. Goelman

The Doctrine of the Arbitrariness of the Sign
by Shweta Narayan

The Infinite Monkeys Protocol
by Lavie Tidhar

Moments Of Brilliance
by Jason Stoddard

Cutting A Figure
by Charlie Anders

The Eternal's Last Request
by Joshua Babcock

Where Water Fails
by Rusty Barnes

Longs to Run
by David Bulley

Pepé In Critical Condition
by Tomi Shaw

Sown Seeds
by Errid Farland

She Dreams in Colors, She Dreams in Hope
by F. John Sharp

Chicken
by John Mantooth

The Tale that Launched a Thousand Ships
by Janrae Frank

Trying to Make Coffee
by William Doreski

Fade In Fade Out
by Beverly A. Jackson

As a Child
by Kristine Ong Muslim

No Motor Home
by Kenneth Ryan

Past Due: Final Notice
by Kenneth Ryan

Fortune
by Kenneth Ryan

Dialogue with the Hollows of Your Body
by Benjamin William Buchholz

Ah Those Letters in the Attics or Modern Lit
by Lida Broadhurst

The first day of the last day my face fell off
by Rohith Sundararaman

Invitation To Kaohsiung
by Allen McGill

Poetry Code
by Robert Peake

Gutmouth
by Konrad Kruszewski

Kmantis Hunch5
by Konrad Kruszewski

Cosmonaut's Last Day
by Jamie Dee Galey

Changing Destiny
by Fefa

Bird and Ghost
by Sarah Coyne

Media Hype
by Jamie Dee Galey

The Kiss
by Konrad Kruszewski

Having Fun at the Party
by Fran Giordano

Jack Rabbit
by Jamie Dee Galey

Belly Busters
by Bruce Boston and Larry Dickison


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